Vox StompLab IG

No bigger than many single-effect stompboxes, the StompLab is a full-fledged processor with a sound engine equivalent to that featured on Vox‘s VT+ series modeling amps and ToneLab series multi-effect units. A study in minimalism, the StompLab‘s interface puts 103 effects and 100 preset sounds at your fingertips with an 11-position Category knob that has settings for Ballad, Jazz Fusion, Pop, Blues, Rock & Roll, Rock, Hard Rock, Metal, Hardcore, and Other (weird sounds). The last position, User, is where you click to for writing custom presets. There are also Gain and Level knobs that operate on any active preset, and also double as Value 1 and Value 2 controls (respectively) for adjusting parameters when in Edit mode (selected by a small button on the left side). Individual effect and amp models are selected with a pair of up/down buttons on the right side. Effect types include amps (44), drives (18), cabinets (12), pedals (8), modulations (9), delays (8), reverbs (3), and noise reduction. A maximum of eight effects can be used simultaneously when noise-reduction is active. All info is displayed in a 2-segment LED screen.

The two metal footswitches toggle you up or down through the ten presets available for each Category setting. Pressing both switches down momentarily activates the easy-to-read tuner, which uses three LEDs to indicate flat, sharp, and in-tune. This is also the StompLab‘s bypass mode.

StompLab‘s presets offer lots of ways to roll, from sparkling clean and beautifully chorused tones to shimmering tremolos to some very eerie sounds that explore the reaches of the rich modulations, juicy delays, and pristine reverbs. The amp sounds are rich and dynamic in feel, and along the way, there are plenty of happening tones for jazz, blues, and rock (many with well implemented distortion like top distortion pedal, delay, and reverb) and that’s all before you get to the Metal and Hardcore presets, which offer ten flavors each of grinding tones–some extremely sinister–that are fun to play and sound great for heavy standard-or drop-tuned rifting.

The StompLab offers an insane amount of bang for the buck, it stashes easily in a gig bag (just be mindful not to switch it on when stuffing cords, etc. around it), and is an ideal solution for players who want lots of sounds but don’t want to tote a full-sized multi-effector.

3 Tips to Help You Buy the Best Waist Cincher for Gifting Purposes

At one time, corsets were used for narrowing down the waist area and shaping the overall body. The last decade has seen the growing use of the hourglass waist trainer, as busy women without the time or energy to focus on long exercise sessions and diet regimen find them to be ideal. These types of outfits come in various styles, shapes and designs. Other than trimming the waist, they also provide support to the body, hold the body straight and offer an hourglass shape to the figure. Wearing corsets beneath your casual dress can make you appear very shapely, and shape you well over a period of time. These days, many women gift corsets to their friends and family members. If you are looking for a waist cincher for gifting purposes, read waist cincher reviews via this link first and remember the following tips to get the best corset and make a great gift for a loved one.

Select one which is not too tight-fitting

In most cases, you can get cinchers consisting of plastic and metal strips referred to as boning. These outfits make use of the science of compression in order to narrow down the waist and improve the female body shape, making the bust line and the hips more prominent. However, chafing is one of the major disadvantages of these dresses. Cinchers which are very tight fitting can sit tight on the skin and cause irritation. Chafing problems can arise even due to the use of cinchers that are constructed of the softest types of material. Wearing a camisole or a thin shirt can make it act like a barrier between your skin and the waist cincher and you can easily avoid chafing problems. It is best to buy a cincher that does not fit too tightly.

Choose one with proper support

One of the greatest benefits provided by these dresses is postural support. It can significantly limit your range of movement but you can get great support from the metal bones of these dresses. You will find that you cannot slouch at any time. It is in fact impossible to have a bad posture with these dresses. Those who use them each and every day swear by the amount of support that these outfits offer to them. The additional support can lower the risk of back problems and provide adequate assistance while walking or carrying out everyday activities. So look for a cincher that offers enough support.

Choose high quality material

If you wish to purchase tight lacing corsets, go for one that is constructed of a high quality material. The first thing that you should look for in the outfit that you buy should be the boning. A lot of corsets to be found in the market are made of plastic which can break easily and go out of shape after a few uses. You should preferably go for ones that consist of steel boning, which can withstand folding when a wearer moves and bends. These do not snap back or twist out of shape as you bend. Naturally, these are ideal cinchers to go for.

MC Systems Pedals

The modern effects pedal market is awash with a multitude of clever devices doing a multitude of clever things in a multitude of clever ways. And just when I thought I’d heard and seen it all, along comes a relatively new player from the land down under. MC Systems refers to their new Apollo line as “Dynamic Response” pedals, and although the suggestion that these pedals will change the way you play guitar is perhaps hyperbolic, they will surely make you re-think the limits of what effects pedals can do for your playing.

All MC Systems pedals are true bypass, can be powered by 9-volt batteries or external power supplies, come in cool black slip-case packaging, and are styled with a rugged, militaristic look. What really sets the Dynamic Response line of pedals apart is its patent-pending V-Switch located on the control face of each pedal. When the V-Switch is engaged, the amount of pressure used to enable the effect (basically how hard you stomp on the footswitch) changes the intensity of a given parameter. For instance, if you want more overdrive for the next song on your set list, simply stomp on your new NKM Dynamic Drive harder.

The sensitivity of the V-switch on each pedal can even be adjusted to “suit your shoe size” via a small access port on the bottom of each pedal. To top It off, each of the pedals Include a second footswitch labeled “Alternate,” which gives you Immediate access to a different preset parameter you might want to access quickly–such as a volume boost with a little extra sizzle for solos. Honestly, If this isn’t one of those “Why didn’t / think of that” situations, I don’t know what is.

To test these three MC Systems pedals, I used a Fender Stratocaster and a Gibson Les Paul plugged into a Vox AC30 and an Epiphone Valve Jr. head with a cabinet loaded with two Eminence P10R speakers.


With both single-coll and humbucker pickups the Dynamic Drive ($TBA) elicits warm and pleasing, medium to heavy overdrive, There was definitely more bite with the single-coils, but plenty of high end was evident with the humbuckers, too. Despite the pedal’s name, I felt that its dynamic qualities were not as responsive as they could have been. The pedal does produce a big tonal difference between light and heavy pick attacks-plenty of black vs. white, so to speak-but the shades of grey in between were slightly less obvious. However, that very trait also makes it a forgiving pedal for those with an Inclination to bash at the guitar, rather than caress it.

The Dynamic Drive really blossomed when I kicked in the V-Switch and added a little more preamp distortion to my test amps. Between the Drive, the V-Drive, and the Alternate presets, you can create a variety of great fat, punchy, or saturated guitar tones for almost any type of gig. And, best of all, with three separate presets, you’ll never have to bend over during the show (or during a song) to make tonal adjustments.


Chorus, delay, and other types of modulation effects are where I think the V-Switch technology can–and will–really shine, Like the Dynamic Drive, the Hybrid Chorus ($TBA) can provide multiple, on-the-fly settings to a player simply by engaging the footswitch. The true-bypass pedal offers controls for Depth, V-Depth, Rate, Alternate Rate, and Level, Once I got used to manipulating the controls, the V-Switch footswitch and the Alternate footswitch enabled me to achieve everything from lush swirls to watery vibrato effects to rotary speaker sounds, and even some interesting detunes. While the overall tonal quality of the pedal can be considered warm, It also reminded me more of the brighter, digital-sounding chorus pedals of the mid ’80s–only with more flexibility, and far more control over the parameters that make a good chorus pedal a “must have” In every guitarist’s arsenal. The level of versatility makes the BSL Hybrid Chorus unique among most other current chorus pedals.


The apparently strangely named String Reviver ($TBA) is really like a cross between a Sonic Maximizer and a treble booster. First off, it actually does do exactly what its name implies–which is add clarity and brightness to guitar strings. With the String Reviver engaged, every tiny detail in my playing technique was brought Into tight focus. It also added air and zip to a dark-sounding, humbucker-equipped electric, and the single-coils on my Stratocaster suddenly had a wonderful feel of space and acoustic-like definition.

The controls include Definition, V-Definition, Slope, Level, and Alt-Level, When the V-Definition parameter is engaged everything becomes even more pronounced. The Level and Alt-Level controls can be used to match your bypassed signal, or to set up one or even two levels of boost–which is very useful for blasting solos and riffs out of a live band mix. My only concern is that the pedal produces audible hiss when either of the Definition controls are set past the 2 o’clock position.